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Stereo-Surround
DSM™ & Mono Lapel Mic Page
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GENERAL
DESCRIPTION:
PATTERN:
DSM Microphones use two non-directional omni type pickups
to record true natural ambient type stereo
(as normally heard live) by operating within a specified (patented
4.819.270) place on the sides of a real person or acoustically
accurate 'dummy' head like the GUY or LiteGUY
HRTF baffle accessories.
This
is a very natural stereo recording method of 3-Dimensional
'psycho-acoustic' pressure-zone mic (PZM type) recording,
(this is the 'skin-proximity' acoustic sound which
surrounds our own head) and allows the recording
of true sound-source directional cues created by the head's
acoustic pressure signature (a.k.a., 'Head Related Transfer
Function' or HRTF) and later interpreted by our ear-brain
perception process as true full-ambient 'surround sound' stereo.
In
more conventional terms, the pattern received
is that of two high quality very precision matched
'spaced omni' mics positioned in a specific area on the sides
of a real person's head.... or.... specialized 'acoustic head' baffle.
Therefore, the reception pattern is directly related to the
overall quality of the microphones to pickup the HRTF effects....the
creation of acoustic psycho-acoustical spatial cues..... of
the 'head' baffle.
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ELEMENT:
DSM
Microphones utilize a unique & proprietary modification
formula of selected OEM available back-electret omni condenser
pickup elements.
This
special 'know-how' produces microphones with true omni-directional
pressure response, outstanding extended & smooth frequency
performance, industry's lowest mechanical handling noise, and
very precision....stabilized gain & phase
channel matching for the most accurate 3-D Stereo imaging of any
stereo microphone.
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PRECISION
MATCH:
Precision
channel match means the stereo imaging and
3-D surround-sound recording ability is of highest fidelity and lowest
distortion.
The
exceptional Left/Right channel matching specification of each DSM
stereo mic has no equivalent in the industry. While matched mic sets
are available from only a few other manufacturers, their guaranteed
match specifications are at least 10 times less precision. No other
mic manufacturer guarantees a true precision match over a wide frequency
range, instead offer only a relatively low precision specification
at only the 1000 cycle frequency. DSM microphones are tested for precision
match over a 20-20,000 cycle frequency range.
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MATERIALS:
Hand crafted pickups are an all-in-one-piece
'unitized' molded assembly that's exceptional in being highly
damped (no ringing sounds) by an advanced polymer/metal engineered
composite that also makes for detailed resolution of complex sounds.
DSM's
molded smooth shape and unbroken surface virtually eliminates diffraction distortion...
....common with conventional machined metal mic housing
construction with abrupt shapes. The molded pickups are light
weight (0.18 Oz) and proven very reliable for rugged field work.
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MICROPHONE
WIRING: DSM-1S/6S/13 models are
wired with 5 1/2 foot lengths of custom super flexible "star quad" configured
microphone cable.
This
special DSM mic cable has extraordinary shielding properties
and allows DSM's full low noise immunity functioning even when close
to very strong electrical noise sources like the interior of engine
compartments of racing vehicles with 60,000+ volt ignition systems
(actual Canadian customer use report!) where conventionally wired
mics are typically rendered useless.
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PROFESSIONAL
mini-XLR OUTPUT PLUG UPGRADE
Standard
DSM models are molded
right angle 3.5 mm stereo plug terminated
(unbalanced) for minideck inputs and standard PA mic powering/bass
filter adapter models, or external PA-3SX
and PA-24NJ preamplifier
models.
Professional
DSM models are upgraded with either single Switchcraft mini-XLR-3M
(unbalanced; +$50 USD), dual mini-XLR-3M (unbalanced; +$100
USD), or dual mini-XLR-5M (true balanced: +$150 USD)
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 DSM
ambient mics need HRTF or person-headworn baffling to function as a
surround sound virtual audio recording mic. Place pickups as shown using
eyeglasses, headband, hat, or HRTF (LiteGUY)
baffle accessory.
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Suggested
use .......Best
Way.....Fasten each pickup just forward of the ears with the
adjustable loop on glasses frames..... DSM Mic loops
& cord are a full-functioning eyeglasses holding cord...glasses
can be securely hung by the mic cord at chest level when not recording ... ... or
...... (better for outside ambient winds).... ....use the
DSM-WHB
(Windscreen Headband accessory shown below), hat, or other suitable
headgear attachment that still allows having the head
(HRTF baffling) between the two pickups.
Also
See LiteGUY
. VideoGUY HRTF
Baffle and Choosing a DSM
mic model
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Professional
and Amateur DSM customers have expressed a need to
suppress wind-blast effects while  recording
outdoors and still keep the advantages of the DSM's stealthy profile
and full frequency fidelity. WHB/N allows full mobility without resorting
to large wind-blocking mechanisms (like an umbrella) to provide the
necessary air-quiet zone surrounding head or HRTF LiteGUY Baffle mounted
DSM microphones.
Complete with 'Hard' Molded Travel Case*
*Click
on the photo for more details
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Very comfortable and discreet
accessory for 'person' mounting DSM stereo mic. Securely stays
in position even during extreme movement or athletic activity.
SS-HB allows comfortable eyegear, hat or safety helmet
wearing. Great for easy recording of natural ambient sounds, interview,
music performance, seminars, competition athelitic and exercise
programs. Record virtual surround sound just about anywhere, except
in windy conditions outdoors where use of a wind blocking umbrella
is strongly suggested.
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| DSM™
MIC MODELS & PRICES |
Prices
listed for mics with standard 3.5 mm stereooutput
plug; add $50 usd for Pro miniXLR-3M plug |
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DSM-x
Primary Model Type
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GAIN
Rating (Sub-Model)
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USD
Price $
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Left/Right
Match Precision
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FREQ
Bandwidth Response
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94
DB SPL Sensitivity
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MAX
SPL INPUT
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S/N
DB 1uBar
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DSM
POWER OPTIONS, SUGGESTIONS, USE NOTES
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DSM-1S
/x High Gain & Output, Lowest Noise
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/High
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$1100
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<.5
dB @1000 Cycles and ± 1.5 db 20-20,000 Cycles
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Nature
Studies / Rural-Urban Environment / EFX / Foley / Linguistics / Interview
/ Bionic Ear
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18
- 25,000 Cycles
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-45
dbv
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106±2
Decibels
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>65
DB
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PORTABLE
Plug-in-Power Deck Powering: Sharp MiniDisc .. , Sony
Digial Flash Deck.
OR
USE: PA-6 / PA-6LC / PA-6LC2 / PA-6LC3B / PA-10PFC
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Nature/Ambient
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<26
dBv Noise
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DSM-1/x
-$100 Reduction (/H only -$50) =1dB 1KHz Reduced
L/Right Match Precision; Limited Stock
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DSM-6S
/x Most
Versatile Multipurpose Mic Models
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/EH
ExtraHigh
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$950
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<.25
dB @ 1KHz and ±1 dB Full (Frequency) Bandwidth Match
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Acoustic
Instr. / Environment / EFX / Foley / ENG Interview
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5
- 25,000 Cycles
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-52dBv±2
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117±3
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>61
DB
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PORTABLE
Plug-in-Power Deck Powering: Sharp MiniDisc .. , Sony
Digial Flash
OR
USE: PA-6 / PA-6LC / PA-6LC2 / PA-6LC3B / PA-10PFC
SUGGESTIONS: Choose DSM
/GAIN mic model for your main interest for recording the loudest
subjects expected. Proper /GAIN selection allows for adequate recording
deck + microphone input headroom without risk of overload distortions.
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/High
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$850
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Acoustic
Group-Orchestra / Ambient / EFX / Interview
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-56dBv±2
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121±3
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/Medium
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$700
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Orchestra
/ Loud PA'd Music / Industrial Ambient / EFX
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-60dBv±2
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125±3
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/Low
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$850
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Bass
Heavy Very Loud PA' d Pop & Rock Music / EFX / Environm.
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-64dBv±2
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129±3
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/EL
Extra
Low
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$1000
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Near
to PA MEGA Loud Bassy Metal Rock Music / EFX/Environm
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-68dBv±2
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133±3
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| DSM-6/x
-$100 Reduced Cost
(/EH only -$50) =1dB 1KHz Reduced CH. Match Precision; Limited Stock |
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DSM-13
LAB
INSTRUMENTATION
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$2500
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<.3
dB
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LAB
Instrumentation / Extrem SPL / EFX /Environm.
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28
- 20,000
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-45dBv±2
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150+
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>62
DB
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PA-13/PFC
Powering Adapter Included
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 PA-3SX
Portable Preamplifier from $475.00
USD
- FEATURES:
- Low
cost
- Hi-build
quality
- Smallest
pager size
- Low
noise, low-high gain
- 800+
hours on (2)L91 AA cells
- 7-to-55,000Hz
frequency bandwidth
- Low
battery and near clip LED indicator
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CLICK
HERE
for OWNERS MANUAL
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DSM
PA-24NJ DC-140KHz SERVO STEREO MIC
PREAMPLIFIER $1000-USD
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Advanced
DSM Mic Powering: 3-IC Low Noise Current Source
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6-IC
2-Stage AMP Design; Fullest Fidelity at ALL Gain Settings
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True
DC Servo Design; NO Capacitors in the Signal Path
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<
.01% Low Distortion; DC-to-100,000 cycle (-3 dB bandwidth)
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2-AA
Cell 200+ Hour Powering (L91 Eveready Photo Lithium)
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ON/OFF
High Pass Filter; 100Hz-OFF-200Hz; DC Coupled
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Very
Small Pager-Like Size; Protected Switches, Gold R/A Plug
Portable
mic preamplifier (3 MODELS) designed specially/only for DSM-1S/6S
mics.
Ideal for remote location ambient
recording using Creative's Nomad Jukebox 3, Sharp MD, DAT, or ANY
analog LINE input for up to 192kbps digital recording requirement.
THE most precision/practical extreme wide-bandwidth battery powered
stereo mic preamplifiers available today.
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OPTIONAL
PROFESSIONAL mini-XLR INPUT JACK AND LOW PROFILE R/A DUAL XLR OUTPUT
PLUG UPGRADES
MODEL
PA-24NJ (standard
with 3.5 mm mini-jack mic input)
+$50
USD UPGRADE: Swithcraft mini-XLR-3F
mic input for connection to mini-XLR-3M plug upgraded (+$50
USD) DSM mic model
MODEL
PA-24NJ/X: (standard
with 3.5 mm mini-jack mic input; 'straight' dual XLR-3M
output plugs)
+$100
USD UPGRADE: Swithcraft mini-XLR-3F
mic input for connection to mini-XLR-3M plug upgraded (+$50 USD)
DSM mic model AND low-profile dual 'right/angle'
XLR-3M output plugs.
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 MONO
Lapel Mic |
$275.-
USD
Best
Vocal Sound Quality of ANY Lapel Mic
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Flat
Frequency Response: 25-22,000±2
dB
1K
Hz Acoustic Sensitivity:
@ 84dB SPL 1K Hz Input = -57
dbv ±4 dB output
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Mic
Power Requirements: 'Plug-in-Power'
featured portable DAT or MiniDISC decks; or any PA
adapter
Output
Plug & Cord Length: Molded
Mono 3.5 mm R/A Plug (outputs
left ch. stereo); 1.5 M cord
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 DSM™
HRTF 4+ CHANNEL SURROUND-SOUND RECORDING SYSTEMS
Dolby
5.1+ Compatible Recording
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Multi-Channel
Application Specific Models ~ $4800-$10,000+
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Battery
Powered 4-Channel XLR Balanced or Hi-Power Video Cable Driving
DC-Servo Preamplifier shown below
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Call
for specifics on custom 4 and 5.1 channel systems
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DSM Mic Customer
Service
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OUT-OF-WARRANTY
$175 DSM Mic Repair/Refurbishment
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Please
consider and respond to the following where it applies to your situation.
Each
DSM has a unique history, while most may be *Refurbished* completely,
some will have problems that may not be solved (at least partially)
for making the set reliable again, or work consistently for at least
a 1 year period afterward. Refurbish service will only be done or
suggested when there's good reason to expect acceptable restoration
of original specifications & acceptable reliability.
SUGGESTION:
If you are experiencing crackle noises, please carefully READ
and FOLLOW the Jack/Plug
Cleaning Tips BEFORE deciding repairs or service is
needed.
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Please
provide the following information when contacting Sonic Studios for customer
service:
1.
Your DSM model type and SER#, __________________________
2.
Who you are, and if you purchased this set directly from Sonic Studios
or from what person (name?) to help find original calibration records.
3.
From where are you sending from (Your address/TEL#) and where I'm supposed
to send everything back as a "signed for" insured shipment,
4.
Explain WHY you're having the mics serviced at this time; are you having
problems? If so, please briefly describe the trouble.
*Sometimes a trade-in for an updated
and better suited model should also be considered. I can advise this
as an option once the set is received and is evaluated.
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| GENERAL
QUESTIONS: |
PLEASE
Let me know:
1. What model deck you're now using?
2. What sound/music subjects are your main focus?
3. IS the deck directly powering the DSM mics (using the deck's "plug-in-power"
feature) or are you using a PA type powering adapter (hardwired? or
separate?) with the microphone?
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| SCOPE
OF WORK: *Refurbishment* Includes ALL or Part of the following work as needed: |
1.
Testing to determine the condition, likely cause, and likely service
options for like-new performance and ability to successfully restore
at least one following year of like-new performance with reasonable
reliability. The owner is contacted if there's a reliability issue and
best options are discussed.
2.
DSM mic is then repaired and/or refurbished. This includes any or all
of the following:
removing
wire shorts, new output plug, diaphragm cleaning + new windscreens,
pickup's exterior re-coated, mic cord made to be like-new (straight/untwisted),
new Velcro cord tie, mounting loop repaired and/or metal slider restored,
and the *removal of 'hardwired' PA-6 or PA-3 type modules so that
older versions work with 'plug-in-power' DAT/MD decks, as like newer
DSM versions.
*PLEASE
NOTE: Vintage models DSM-6P, DSM-5L, DSM-10L, & DSM-3 mic versions
had the powering module 'hardwired" to the mic set; mic-cord-wire-shorts
near the powering module cannot be repaired without REMOVING THE
POWERING MODULE. When this is the case, a new PA-6 (or better with
bass filter) or suitable PA powering adapter needs be purchased,
or consider now using the deck's 'plug-in-power' feature instead
of needing the PA powering module when this is practical.
3.
USA insured shipping back to the customer is included at no extra charge.
OUTSIDE USA shipping cost is about $40 USD; please include this with
repair/refurbishment payment when sending.
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| SHIPPING
INSTRUCTIONS |
PACKING
SUGGESTIONS:
Ship
DSM microphone protected with at least the pickups inside the
plastic 'pillbox' travel case supplied with the DSM; a padded
envelope works OK. Use a crushproof box when sending mics inside
the latching hardcase; please NO padded mailer envelopes that
often get crushed, damaging the latching hardcase (but, mics
have always arrived OK inside).
Send
DAT decks sealed inside dust-proof 'Zip Lock' type bag, then enclose
the deck in small box (padded) inside a larger box (double
boxed method) or use two or more layers of large bubble wrap;
or use any combination of these methods to fully protect the deck
inside from drop-shock and rough package handling.
Please
Do Not Send Deck in the Original DAT Box it came in; it is too
large.
Send
using ANY BEST WAY (better with a tracking number)
with at least some insurance applied in case of loss.
(ALSO,
please include your payment to help avoid delays)
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Make
US
POSTALMoney Order, Moneygram, or BANK OF AMERICA Cashiers Checks
Payable & Ship to:
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Leonard
Lombardo
1311 Sunny
Court
Sutherlin, Oregon 97479 USA
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DSM Repair
and/or Refurbishment Service FAQ
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In
a message dated 12/18/00 10:22:40 PM Pacific Standard Time, xxxxxxxxxxxxxx
writes:
<<
Subj: SS repairs
Date: 12/18/00 10:22:40 PM Pacific Standard Time
From: xxxxxxxxxxxxxxxxxxxx
To: GuySonic
Hello from NY, My friend Burt hooked me up with a new set
of your excellent ss mics and the bass roll over a few years
ago. I still can hardly believe my ears when I hear the job
they do. It's honestly the best money I ever spent. I recently
have a problem with the plug to d8 end( i think) of the cord
and now they need some repair. Is it ok to send them out to
you to take a look at them? Please drop me a line when you
can. I have a phone # in the book that came with the mics
541-459-8839. I work 3 tp 12 est but could call most any weekend
if that cool. Hope to hear from you soon. Oh...one more question.
Can you recommend a small mic to use with a d8 for stealth
voice. I will ruin this mic in time so I would be looking
for something cheap. a mono one would be cool to. Thanks again,
Larry
>>
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Hello Larry,
Thank
you for the news of your having a great time recording for
many years.
Prepaid,
Return FedEX COD for payment, or no cost Warranty Repair service
is usual 1 week or less turnaround time.
I'm very
thankful that repairs are rarely needed. The very unusual
looking, but rugged and break resistant design/construction
of all DSM mics, PA adapters, and accessories means Debbie
and my efforts are in producing systems and almost never having
to be repairing product already shipped spanning over the
past 14 years!
You
may send the mic set (+adapter) in for repair anytime but, before
you do, please first check you are not just getting dirty contact
noise problem that might be solved quickly and for less than
$1.50 cost for a small bottle of isopropyl alcohol.
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SUGGEST
Clean the contacts first (before sending) with pure +91%
isopropyl alcohol (NOT the rubbing type, but
in the same drugstore section).
Clean
deck's & PA adapter jack, all plugs, and please keep alcohol
from wetting any 'amber' colored plug plastic like I use. Grungy
insides of jacks (mostly caused from fingerprint grungy plugs)
is the usual cause of serious noise. This is especially true
when plugs are not kept 'cloth wiped mirror-bright clean' just
before each use and alcohol (& ProGold) cleaned (suggested
maintenance) every few months time.
See
also plug/jack cleaning tips on page: http://www.sonicstudios.com/tips.htm
Anyway,
please clean all connections as suggested to see if all problems
are corrected. Do this first before sending in for repair..
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Please use
best way insured for shipping (better with having a tracking number)
For USA/Canada
prepaid orders, send your request with your:
1)
Name, Business Name, preferred FedEX or US Postal return
Address/TEL# +
2)
Prepayment:
US
POSTALMoney Order, Moneygram, or BANK OF AMERICA Cashiers
Checks
Payable & Ship to:
Leonard
Lombardo
1311
Sunny Court
Sutherlin, OR 97479 USA
Most repairs
are now $150 USD flat-fee. Or no cost within two year warranty,
for 'no fault of user' repair/refurbish/replace customer service.
Overnight
FedEX express service shipping costs are extra if and when needed;
all other prepaid are shipped no cost best way US Postal .
Not sending
prepayment (when required) along with your serviceable items tends
to make required repair and return shipping impossible.
US
POSTALMoney Order, Moneygram, or BANK OF AMERICA Cashiers Checks
Payable To:
Leonard
Lombardo is the only acceptable payment for COD. This is exchanged
with FedEX at time of home/office delivery or any convenient
FedEX will-call
'HOLD for pickup' office of your choosing. For FedEX Hold, please
supply the office's complete street address.
More
USA/Overseas ordering/shipping options: http://www.sonicstudios.com/ordering.htm
PLEASE let
me know the serial number on your set to determine about when
manufactured; the original purchase invoice# is VERY helpful.
If you
know your set is well past the 2 years warranty, then please
send prepayment and/or choose more expedient FedEX ship-back
delivery costs and/or include the FedEX HOLD office address,
if this is desired.
Please INCLUDE your NAME with return
Mailing or STREET Shipping Address + E-Mail
+ Telephone Number
+
any needed details or special instructions.
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SOME
ISSUES TO CONSIDER WHEN BUYING A USED DSM MICROPHONE
A
posting on DATHeads Digest for a used DSM microphone prompted
this response
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From: Tom Bxxxx <xxxx@xxx.net>
Subject: Anyone selling their Sonic Studios DSM-6S mics?
Date: Thu, 16 Sep 2004 15:01:46 -0400
I have a friend on a budget who wants
to get a pair of DSM-6S mics from
Sonic Studios. Does anyone out there have a used pair that
they are looking
to sell? Let me know.
Thanks
--------------------------------
Hello Tom,
Needless to say, we both are interested in your friend's
recording satisfaction using a DSM microphone. While
used DSM mics may very well be a good value, these
type of body-worn, and sometimes roughly pocketed mics get
more physically/chemically challenged than large full size
studio type mics used on a mic stand, and that later get
stored in a nice wooden box in a dry place. Normal DSM use
is somewhat abusive so end of mic-set life is often shorter
(<6-10 years) as compared with conventionally used/stored
microphones. Of this you should be aware, as also some other
issues to consider before purchasing used.
Important issue to consider is a used DSM mic may be
the WRONG sensitivity (model) for clear/clean satisfying
recording of current interests.
DSM mics have ALWAYS been shipped to customers with sensitivity
rating (older were unmarked, later came DSM-6S/xx models)
that best suit particular UN-amplified acoustic to
extremely bass loud recording interests. Current live
conditions for amplified pop/rock music has made appropriately sold
DSM-6S/M models in early 90's, far less suitable in
recent years where DSM-6S/L is now appropriate for the louder
(clean) bass levels of modern venues.
Another issue is the actual condition of mics after
years of active use.
My take is there's a good chance a seller thinks the
'mics are in good' condition in unrealistic loose terms.
An example is "they are in good condition and still work
great, and I have made many good sounding recordings
using them." Generally there is NO seller 'feel'
for the actual electrical/acoustic/mechanical condition
of the set. Photos are generally not of sufficient
resolution to see evidence of abusive use/storage practices.
I have found many situations where mics sent in for
customer service were abusively twisted/tangled with
the pickups stored without pickup case in dusty,
humid, crushed, or less than minimal good conditions.
The result can be buying a damaged set that's unreliable
and/or too low in performance due to abuse or attrition
from unnoticed circumstances. In other words, a
used DSM mic may have good value (or have little
or NO resale value). A used headworn/roughly pocketed
mic set may or may not need refurbish service that's
ONLY possible if still in good repairable condition.
This is very much like buying a
used car from a seller who is nearly deaf, cannot
clearly hear a sputtering engine, has no g-force sense
of acceleration/braking, and has never or rarely had auto
service/maintenance, and/or never personally opened the
hood to check mechanical conditions. And even
if they did look, would NOT know what they were looking
at! All the seller really knows for sure is the
car got them from point A-to-point-B with little or NO
problems over the years, and still runs good!
QUESTION: Would you trustingly purchase a car from this
person on their assessment of the cars value? Buying
a used DSM mic is like this, so be cautious, avoid getting
less than what is expected or needed for satisfying recording
ability.
Please read, or have your friend read DSM mic powering,
models, customer service section on page: http://www.sonicstudios.com/dsm.htm
If any way affordable, purchasing a specific (appropriate)
new DSM model that exactly fits interest/deck (like
shown below) is a 'for sure' best value over risky
used.
Best Regards in Sound & Music Recording,
Leonard (& Debbie) Lombardo, Owners
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What's
on Sonic Studios Web Site?
(Click underlined text, and navigation photos)
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DSM™
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Patented
Stereo-Surround Microphone Technology
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Passive
DSM™ Mic Powering/Bass Filters
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Eyegear/Headband/HRTF
Baffle mountable matched omni mics
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Stops
wind blast noise; transparent acoustic design; records real wind
sounds
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for
MD, DAT, CF, HD, and Video Field/Event/Studio Recording
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HRTF
RECORDING
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Stereo-Surround
Omni Mic Baffle for Stand, Fishpole, Studio Boom, and Ceiling
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RECORDING
ACCESSORIES
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Portable
Deck Power Solutions
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Patch/Adapter
Cables
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Field/Studio
Monitoring Headphones, Reviews
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High-definition,
low noise, very wide bandwidth preamp designs to fit any field/event/studio
application using DSM™ stereo-surround mics.
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MONO
ONLY 'Lombardo' Lapel Mic for interview, Narration, Lecture,
and clip-on acoustic instrument Recording
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DSM™
Magazine Reviews
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USA
Telephone #: |
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541-459-8839
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E-mail:
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AVOID
ACCIDENTAL E-MAIL SPAM DELETION:
PLEASE
..................
ALWAYS INCLUDE an appropriate
SUBJECT LINE in all e-mail
correspondence.
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| A
Few Other Links |
| About
Sonic Studios |
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r