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Stereo-Surround
DSM™ & Mono Lapel
Mic Page
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This
Page as Acrobat Reader PDF
DOWNLOAD
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GENERAL
DESCRIPTION:
PATTERN:
DSM Microphones use two
non-directional omni type pickups to record true
natural ambient type stereo (as
normally heard live) by operating within a specified (patented
4.819.270) place on the sides of a real person or acoustically
accurate 'dummy' head like the GUY or LiteGUY
HRTF baffle accessories.
This
is a very natural stereo recording method of 3-Dimensional 'psycho-acoustic'
pressure-zone mic (PZM type) recording, (this
is the 'skin-proximity' acoustic sound which surrounds our own head) and
allows the recording of true sound-source directional
cues created by the head's acoustic pressure signature (a.k.a., 'Head
Related Transfer Function' or HRTF) and later interpreted by our
ear-brain perception process as true full-ambient 'surround sound' stereo.
In
more conventional terms, the
pattern received is that of two high quality very precision
matched 'spaced omni' mics positioned in a specific area on
the sides of a real person's head.... or.... specialized 'acoustic head'
baffle. Therefore, the reception pattern
is directly related to the overall quality of the microphones to pickup
the HRTF effects....the creation of acoustic psycho-acoustical spatial
cues..... of the 'head' baffle.
The
DSM mic method allows the recordings full compatibility with all manner
of playback (headphones, 2 speaker
stereo & multi-speaker surround systems); even mixes
very well to mono!
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ELEMENT:
DSM
Microphones utilize a unique & proprietary modification
formula of selected
OEM available back-electret omni condenser pickup elements.
This
special 'know-how' produces microphones with true omni-directional pressure
response, outstanding extended & smooth frequency performance,
industry's lowest mechanical handling noise, and very precision....stabilized
gain & phase channel matching for the most accurate 3-D Stereo
imaging of any stereo microphone.
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PRECISION
MATCH:
Precision
channel match means the stereo
imaging and 3-D surround-sound recording ability is of highest fidelity
and lowest distortion.
The
exceptional Left/Right channel matching specification of each DSM stereo
mic has no equivalent in the industry. While matched mic sets are available
from only a few other manufacturers, their guaranteed match specifications
are at least 10 times less precision. No other mic manufacturer guarantees
a true precision match over a wide frequency range, instead offer only
a relatively low precision specification at only the 1000 cycle frequency.
DSM microphones are tested for precision match over a 20-20,000 cycle
frequency range.
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MATERIALS:
Hand
crafted pickups are an all-in-one-piece 'unitized' molded assembly
that's exceptional in being highly damped
(no ringing sounds) by an advanced polymer/metal engineered composite
that also makes for detailed resolution of complex sounds.
DSM's
molded smooth shape and unbroken surface virtually eliminates diffraction distortion...
....common with conventional machined metal mic housing
construction with abrupt shapes. The molded pickups are light
weight (0.18 Oz) and proven very reliable for rugged field work.
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MICROPHONE
WIRING:
DSM-1S/6S/13 models are wired with 5 1/2 foot lengths of custom
super flexible "star quad" configured microphone cable.
This
special DSM mic cable has extraordinary shielding properties
and allows DSM's full low noise immunity functioning even when close
to very strong electrical noise sources like the interior of engine
compartments of racing vehicles with 60,000+ volt ignition systems
(actual Canadian customer use report!) where conventionally wired
mics are typically rendered useless.
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PROFESSIONAL
mini-XLR OUTPUT PLUG UPGRADE
Standard
DSM models are molded
right angle 3.5 mm stereo plug terminated
(unbalanced) for minideck inputs and standard PA mic powering/bass
filter adapter models, or external PA-3SX
and PA-24NJ preamplifier
models.
Professional
DSM models are upgraded with either single Switchcraft mini-XLR-3M
(unbalanced; +$50 USD), dual mini-XLR-3M (unbalanced; +$100 USD),
or dual mini-XLR-5M (true balanced: +$150 USD)
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 DSM
ambient mics need HRTF or person-headworn baffling to function as a
surround sound virtual audio recording mic. Place pickups as shown using
eyeglasses, headband, hat, or HRTF (LiteGUY)
baffle accessory.
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Suggested
use .......Best
Way.....Fasten each pickup just forward of the ears with the
adjustable loop on glasses frames..... DSM Mic loops
& cord are a full-functioning eyeglasses holding cord...glasses
can be securely hung by the mic cord at chest level when not recording ... ... or
...... (better for outside ambient winds).... ....use the
DSM-WHB
(Windscreen Headband accessory shown below), hat, or other suitable
headgear attachment that still allows having the head
(HRTF baffling) between the two pickups.
Also
See LiteGUY
HRTF Baffle and Choosing
a DSM mic model
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Professional
and Amateur DSM customers have expressed a need to
suppress wind-blast effects while  recording
outdoors and still keep the advantages of the DSM's stealthy profile
and full frequency fidelity. WHB/N allows full mobility without resorting
to large wind-blocking mechanisms (like an umbrella) to provide the
necessary air-quiet zone surrounding head or HRTF LiteGUY Baffle mounted
DSM microphones.
$250.00 USD Complete with 'Hard' Molded Travel
Case*
*Click
on the photo for more details
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'STREET
STYLE' HEADBAND . . . $85.00 USD
Very comfortable and discreet
accessory for 'person' mounting DSM stereo mic. Securely stays
in position even during extreme movement or athletic activity.
SS-HB allows comfortable eyegear, hat or safety helmet
wearing. Great for easy recording of natural ambient sounds, interview,
music performance, seminars, competition athelitic and exercise
programs. Record virtual surround sound just about anywhere, except
in windy conditions outdoors where use of a wind blocking umbrella
is strongly suggested.
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DSM™
MIC MODELS & PRICES (3.5
mm stereo plug output)
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DSM-x Primary
Model Type
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GAIN Rating
(Sub-Model)
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USD Price $
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Left/Right
Match Precision
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FREQ Bandwidth
Response
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94 DB SPL Sensitivity
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MAX SPL
INPUT
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S/N DB
1uBar
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DSM
POWER OPTIONS, SUGGESTIONS, USE NOTES
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DSM-1S /x High
Gain & Output, Lowest Noise
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/High
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$650
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<.5
dB @1000 Cycles and ± 1.5 db 20-20,000 Cycles
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Nature
Studies / Rural-Urban Ambient / EFX / Foley / Linguistics / Interview
/ Bionic Ear
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18
- 25,000 Cycles
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-45
dbv
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106±2
Decibels
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>65
DB
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PORTABLE Deck Powering: Sony/Sharp
MiniDisc . Plug-in-Power. , Sony DAT Deck . Plug-in-Power. only with
MOD-2 deck upgrade. OR USE:
PA-6 / PA-6LC / PA-6LC2 / PA-6LC3B / PA-10PFC
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Nature/Ambient
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<26 dBv Noise
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DSM-1/x
-$100 Reduction
(/H only -$50) =1dB 1KHz Reduced L/Right Match Precision; Limited Stock
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DSM-6S
/x Most Versatile
Multipurpose Mic Models
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/EH
ExtraHigh
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$650
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<.25
dB @ 1KHz and ±1 dB Full (Frequency) Bandwidth Match
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Acoustic
Insert. / Ambient / EFX / Foley / Interview
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5
- 25,000 Cycles
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-52dBv±2
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117±3
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>61
DB
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PORTABLE
Deck Powering: Sony/Sharp
MiniDisc . Plug-in-Power. , Sony DAT Deck . Plug-in-Power. only with
MOD-2 deck upgrade. OR
USE: PA-6 / PA-6LC / PA-6LC2 / PA-6LC3B / PA-10PFC
SUGGESTIONS:
Choose DSM /GAIN for recording the loudest sounds frequently expected.
Proper /GAIN selection allows for adequate recording deck/microphone input
headroom without risk of clipping distortions.
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/High
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$550
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Acoustic
Group-Orchestra / Ambient / EFX / Interview
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-56dBv±2
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121±3
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/Medium
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$450
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Orchestra
/ Loud PA'd Music / Industrial Ambient / EFX
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-60dBv±2
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125±3
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/Low
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$550
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Bass
Heavy Very Loud PA' d Pop & Rock Music / EFX
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-64dBv±2
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129±3
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/EL
Extra Low
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$650
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Near
to PA MEGA Loud Bassy Metal Rock Music / EFX
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-68dBv±2
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133±3
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| DSM-6/x
-$100 Reduced Cost
(/EH only -$50) =1dB 1KHz Reduced CH. Match Precision; Limited Stock |
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DSM-13
LAB
INSTRUMENTATION
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$2000
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<.3
dB
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LAB
Instrumentation / Extremely High SPL / EFX
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28
- 20,000
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-45dBv±2
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150+
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>62
DB
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PA-13/PFC
Powering Adapter Included
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DSM
PA-24NJ DC-140KHz SERVO STEREO MIC
PREAMPLIFIER $1000-USD
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Advanced
DSM Mic Powering: 3-IC Low Noise Current Source
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6-IC
2-Stage AMP Design; Fullest Fidelity at ALL Gain Settings
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True
DC Servo Design; NO Capacitors in the Signal Path
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<
.01% Low Distortion; DC-to-100,000 cycle (-3 dB bandwidth)
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2-AA
Cell 200+ Hour Powering (L91 Eveready Photo Lithium)
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ON/OFF
High Pass Filter; 100Hz-OFF-200Hz; DC Coupled
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Very
Small Pager-Like Size; Protected Switches, Gold R/A Plug
Portable
mic preamplifier (3 MODELS) designed specially/only for DSM-1S/6S
mics.
Ideal for remote location ambient
recording using Creative's Nomad Jukebox 3, Sharp MD, DAT, or ANY
analog LINE input for up to 192kbps digital recording requirement.
THE most precision/practical extreme wide-bandwidth battery powered
stereo mic preamplifiers available today.
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OPTIONAL
PROFESSIONAL mini-XLR INPUT JACK AND LOW PROFILE R/A DUAL XLR OUTPUT PLUG
UPGRADES
MODEL
PA-24NJ (standard
with 3.5 mm mini-jack mic input)
+$50
USD UPGRADE: Swithcraft mini-XLR-3F
mic input for connection to mini-XLR-3M plug upgraded (+$50 USD) DSM
mic model
MODEL
PA-24NJ/X: (standard
with 3.5 mm mini-jack mic input; 'straight' dual XLR-3M output
plugs)
+$100
USD UPGRADE: Swithcraft mini-XLR-3F mic
input for connection to mini-XLR-3M plug upgraded (+$50 USD) DSM mic model
AND low-profile dual 'right/angle' XLR-3M output plugs.
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 MONO
Lapel Mic |
$175.-
USD
Best
Vocal Sound Quality of ANY Lapel Mic
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Flat
Frequency Response: 25-22,000±2
dB
1K
Hz Acoustic Sensitivity:
@ 84dB SPL 1K Hz Input = -57
dbv ±4 dB output
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Mic
Power Requirements: 'Plug-in-Power'
featured portable DAT or MiniDISC decks; or any PA
adapter
Output
Plug & Cord Length: Molded
Mono 3.5 mm R/A Plug (outputs
left ch. stereo); 1.5 M cord
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 DSM™
HRTF 4+ CHANNEL SURROUND-SOUND RECORDING SYSTEMS
Dolby
5.1+ Compatible Recording
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Multi-Channel
Application Specific Models ~$3500-$8500+
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Battery
Powered 4-Channel XLR Balanced or Hi-Power Video Cable Driving
DC-Servo Preamplifie
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Call
for specifics on custom 4 and 5.1 channel systems
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| DSM
Mic Customer Service |
OUT-OF-WARRANTY
$125 DSM Mic Repair/Refurbishment
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Please
consider and respond to the following where it applies to your situation.
Each
DSM has a unique history, while most may be *Refurbished* completely,
some will have problems that may not be solved (at least partially)
for making the set reliable again, or work consistently for at least
a 1 year period afterward. Refurbish service will only be done or
suggested when there's good reason to expect acceptable restoration
of original specifications & acceptable reliability.
SUGGESTION:
If you are experiencing crackle noises, please carefully READ
and FOLLOW the Jack/Plug
Cleaning Tips BEFORE deciding repairs or service is
needed.
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Please provide the
following information when contacting Sonic Studios for customer service:
1. Your DSM model
type and SER#, __________________________
2. Who you are,
and if you purchased this set directly from Sonic Studios or from what
person (name?) to help find original calibration records.
3. From where are
you sending from (Your address/TEL#) and where I'm supposed to send
everything back as a "signed for" insured shipment,
4.
Explain WHY you're having the mics serviced at this time; are you having
problems? If so, please briefly describe the trouble.
*Sometimes a trade-in
for an updated and better suited model should also be considered. I
can advise this as an option once the set is received and is evaluated.
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| GENERAL
QUESTIONS: |
PLEASE Let me
know:
1. What model
deck you're now using?
2. What sound/music subjects are your main focus?
3. IS the deck directly powering the DSM mics (using the deck's "plug-in-power"
feature) or are you using a PA type powering adapter (hardwired? or
separate?) with the microphone?
NOTE:
You might want to consider also sending the DAT deck in here for MOD-2
upgrade and/or PA adapter for trade-in or service check along with the
mic.
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| SCOPE
OF WORK: *Refurbishment* Includes ALL or Part of the following work as needed: |
1. Testing to determine
the condition, likely cause, and likely service options for like-new
performance and ability to successfully restore at least one following
year of like-new performance with reasonable reliability. The owner
is contacted if there's a reliability issue and best options are discussed.
2. DSM mic is then
repaired and/or refurbished. This includes any or all of the following:
removing wire
shorts, new output plug, diaphragm cleaning + new windscreens, pickup's
exterior re-coated, mic cord made to be like-new (straight/untwisted),
new Velcro cord tie, mounting loop repaired and/or metal slider restored,
and the *removal of 'hardwired' PA-6 or PA-3 type modules so that
older versions work with 'plug-in-power' DAT/MD decks, as like newer
DSM versions.
*PLEASE
NOTE: Vintage models DSM-6P, DSM-5L, DSM-10L, & DSM-3 mic versions
had the powering module 'hardwired" to the mic set; mic-cord-wire-shorts
near the powering module cannot be repaired without REMOVING THE
POWERING MODULE. When this is the case, a new PA-6 (or better with
bass filter) or suitable PA powering adapter needs be purchased,
or consider now using the deck's 'plug-in-power' feature instead
of needing the PA powering module when this is practical.
3. USA insured shipping
back to the customer is included at no extra charge. OUTSIDE USA shipping
charges are usually $25; please include this with repair/refurbishment
payment when sending.
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GENERAL
GUARANTEE POLICY ON NON-WARRANTY REPAIR/REFURBISH SERVICE
If
the serviced mic fails (from no fault of the owner) within
6 months, options are:
1. No-charge repair service (+ no-charge for USA return insured
shipping) or
2. *Trade-in an unreliable mic set. Sometimes this is a better
option. The 'full repair/refurbish paid service cost' is then
applied toward the purchase of a new DSM mic set.
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*DSM
TRADE-IN DISCOUNT or CREDIT TOWARDS A NEW DSM MIC:
If the DSM mic is within Six-Years
(of original owner purchase) a limited trade-in DISCOUNT is also available.
The discount amount includes (but not in addition to) credit for failed
paid service work on a mic within a six month time. The Trade-in Discount
(~ 25-30%) is applied only toward the purchase of a DSM set, not towards
the cost of needed mic power options.
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| SHIPPING
INSTRUCTIONS |
PACKING SUGGESTIONS:
Ship DSM microphone
protected with at least the pickups inside the plastic 'pillbox' travel
case supplied with the DSM; a padded envelope works OK. Use a crushproof
box when sending mics inside the latching hardcase; please NO padded
mailer envelopes that often get crushed, damaging the latching hardcase
(but, mics have always arrived OK inside).
Send DAT decks
sealed inside dust-proof 'Zip Lock' type bag, then enclose the deck
in small box (padded) inside a larger box (double boxed
method) or use two or more layers of large bubble wrap; or use
any combination of these methods to fully protect the deck inside
from drop-shock and rough package handling.
Please
Do Not Send Deck in the Original DAT Box it came in; it is too large.
Send using ANY
BEST WAY (better with a tracking number) with at least some
insurance applied in case of loss.
(ALSO,
please include your payment to help avoid delays)
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Make
Checks Payable & Ship to:
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Sonic
Studios
1311 Sunny Court
Sutherlin, Oregon 97479 USA
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DSM Repair
and/or Refurbishment Service FAQ
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In a message
dated 12/18/00 10:22:40 PM Pacific Standard Time, xxxxxxxxxxxxxx
writes:
<<
Subj: SS repairs
Date: 12/18/00 10:22:40 PM Pacific Standard Time
From: xxxxxxxxxxxxxxxxxxxx
To: GuySonic
Hello from NY, My friend Burt hooked
me up with a new set of your excellent ss mics and the bass
roll over a few years ago. I still can hardly believe my ears
when I hear the job they do. It's honestly the best money
I ever spent. I recently have a problem with the plug to d8
end( i think) of the cord and now they need some repair. Is
it ok to send them out to you to take a look at them? Please
drop me a line when you can. I have a phone # in the book
that came with the mics 541-459-8839. I work 3 tp 12 est but
could call most any weekend if that cool. Hope to hear from
you soon. Oh...one more question. Can you recommend a small
mic to use with a d8 for stealth voice. I will ruin this mic
in time so I would be looking for something cheap. a mono
one would be cool to. Thanks again, Larry
>>
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Hello Larry,
Thank
you for the news of your having a great time recording for
many years.
Prepaid,
Return FedEX COD for payment, or no cost Warranty Repair service
is usual 1 week or less turnaround time.
I'm very
thankful that repairs are rarely needed. The very unusual
looking, but rugged and break resistant design/construction
of all DSM mics, PA adapters, and accessories means Debbie
and my efforts are in producing systems and almost never having
to be repairing product already shipped spanning over the
past 14 years!
You
may send the mic set (+adapter) in for repair anytime but, before
you do, please first check you are not just getting dirty contact
noise problem that might be solved quickly and for less than
$1.50 cost for a small bottle of isopropyl alcohol.
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SUGGEST
Clean the contacts first (before sending) with pure +91%
isopropyl alcohol (NOT the rubbing type, but
in the same drugstore section).
Clean
deck's & PA adapter jack, all plugs, and please keep alcohol
from wetting any 'amber' colored plug plastic like I use. Grungy
insides of jacks (mostly caused from fingerprint grungy plugs)
is the usual cause of serious noise. This is especially true
when plugs are not kept 'cloth wiped mirror-bright clean' just
before each use and alcohol (& ProGold) cleaned (suggested
maintenance) every few months time.
See
also plug/jack cleaning tips on page: http://www.sonicstudios.com/tips.htm
Anyway,
please clean all connections as suggested to see if all problems
are corrected. Do this first before sending in for repair..
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Please use
best way insured for shipping (better with having a tracking number)
For USA/Canada
prepaid orders, send your request with your:
1)
Name, Business Name, preferred FedEX or US Postal return
Address/TEL# +
2)
Prepayment:
Personal or Business check (cleared)
Cashiers Check or Money Order (best for time)
Payable
to:
Sonic
Studios
1311 Sunny Court
Sutherlin, OR 97479 USA
Most Simple
repairs are usually $85 flat-fee. Or no cost within two year warranty,
for 'no fault of user' repair/refurbish/replace customer service.
$100 DSM Repair
+ Refurbishment service is available for all DSM mics and for
$15 (shipping) if any set is repaired while within the 2 year
warranty period.
Overnight
FedEX express service shipping costs extra if and when needed;
all other prepaid are shipped no cost best way Postal or FedEX
Saver; whichever you may prefer.
Not sending
prepayment (when required) along with your serviceable items tends
to make repairs and shipping take longer.
However,
NON-Prepaid repairs or refurbishment service may be shipped
to you via FedEX COD with no time lost. Costs $15 extra for
2-Day or $20-$25 for Overnight FedEX COD delivery.
Money Order
or Cashiers Check made payable to Sonic Studios is the only acceptable
payment for COD. This is exchanged with FedEX at time of home/office
delivery or any convenient FedEX will-call 'HOLD for pickup' office
of your choosing. For FedEX Hold, please supply the office's complete
street address.
More
USA/Overseas ordering/shipping options: http://www.sonicstudios.com/ordering.htm
Let me know
the serial number on your set to determine about when manufactured;
the original purchase invoice# is VERY helpful.
If you
know your set is well past the 2 years warranty, then please
send prepayment and/or choose more expedient FedEX ship-back
delivery costs and/or include the FedEX HOLD office address,
if this is desired.
Please INCLUDE your NAME with return
Mailing or STREET Shipping Address + E-Mail
+ Telephone Number
+
any needed details or special instructions.
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SOME
ISSUES TO CONSIDER WHEN BUYING A USED DSM MICROPHONE
A
posting on DATHeads Digest for a used DSM microphone prompted
this response
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From: Tom Bxxxx <xxxx@xxx.net>
Subject: Anyone selling their Sonic Studios DSM-6S mics?
Date: Thu, 16 Sep 2004 15:01:46 -0400
I have a friend on a budget who wants to get a pair of DSM-6S
mics from
Sonic Studios. Does anyone out there have a used pair that they
are looking
to sell? Let me know.
Thanks
--------------------------------
Hello Tom,
Needless to say, we both are interested in your friend's recording
satisfaction using a DSM microphone. While used DSM mics may
very well be a good value, these type of body-worn, and
sometimes roughly pocketed mics get more physically/chemically
challenged than large full size studio type mics used on a mic
stand, and that later get stored in a nice wooden box in a dry
place. Normal DSM use is somewhat abusive so end of mic-set
life is often shorter (<6-10 years) as compared with conventionally
used/stored microphones. Of this you should be aware, as also
some other issues to consider before purchasing used.
Important issue to consider is a used DSM mic may be the
WRONG sensitivity (model) for clear/clean satisfying recording
of current interests.
DSM mics have ALWAYS been shipped to customers with sensitivity
rating (older were unmarked, later came DSM-6S/xx models) that
best suit particular UN-amplified acoustic to extremely
bass loud recording interests. Current live conditions
for amplified pop/rock music has made appropriately sold
DSM-6S/M models in early 90's, far less suitable in
recent years where DSM-6S/L is now appropriate for the louder
(clean) bass levels of modern venues.
Another issue is the actual condition of mics after years
of active use.
My take is there's a good chance a seller thinks the 'mics
are in good' condition in unrealistic loose terms. An
example is "they are in good condition and still work
great, and I have made many good sounding recordings using
them." Generally there is NO seller 'feel' for the
actual electrical/acoustic/mechanical condition of the set.
Photos are generally not of sufficient resolution to see evidence
of abusive use/storage practices.
I have found many situations where mics sent in for customer
service were abusively twisted/tangled with the pickups
stored without pickup case in dusty, humid, crushed,
or less than minimal good conditions. The result can be
buying a damaged set that's unreliable and/or too low in
performance due to abuse or attrition from unnoticed circumstances.
In other words, a used DSM mic may have
good value (or have little or NO resale value). A
used headworn/roughly pocketed mic set may or may not need
refurbish service that's ONLY possible if still in good repairable
condition.
This is very much like buying a used
car from a seller who is nearly deaf, cannot clearly
hear a sputtering engine, has no g-force sense of acceleration/braking,
and has never or rarely had auto service/maintenance, and/or
never personally opened the hood to check mechanical
conditions. And even if they did look, would NOT know
what they were looking at! All the seller really knows
for sure is the car got them from point A-to-point-B with
little or NO problems over the years, and still runs good!
QUESTION: Would you trustingly purchase a car from this person
on their assessment of the cars value? Buying a used
DSM mic is like this, so be cautious, avoid getting less than
what is expected or needed for satisfying recording ability.
Please read, or have your friend read DSM mic powering, models,
customer service section on page: http://www.sonicstudios.com/dsm.htm
If any way affordable, purchasing a specific (appropriate)
new DSM model that exactly fits interest/deck (like
shown below) is a 'for sure' best value over risky used.
Best Regards in Sound & Music Recording,
Leonard (& Debbie) Lombardo, Owners
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| What's
on Sonic Studios Web Site:
(Click underlined text, and navigation photos) |
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DSM™
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Patented
Stereo-Surround Microphone Technology
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Passive
DSM™ Mic Powering/Bass Filters
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Eyegear/Headband/HRTF
Baffle mountable matched omni mics
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Stops
wind blast noise; transparent acoustic design; records real wind
sounds
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for
MD, DAT, CF, HD, and Video Field/Event/Studio Recording
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Battery Powered-Portable Mic Preamplifiers |
HRTF
RECORDING
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Stereo-Surround
Omni Mic Baffle for Stand, Fishpole, Studio Boom, and Ceiling
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RECORDING
ACCESSORIES
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Portable
Deck Power Solutions
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Patch/Adapter
Cables
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Field/Studio
Monitoring Headphones, Reviews
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High-definition,
low noise, very wide bandwidth preamp designs to fit any field/event/studio
application using DSM™ stereo-surround recording mics.
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MONO
ONLY 'Lombardo' Lapel Mic for interview, Narration, Lecture,
and clip-on acoustic instrument Recording
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| DSM™
Magazine Reviews |
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USA
Toll Free:
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1-877-347-6642
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Telephone
#:
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541-459-8839
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E-mail:
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PA-3SX
Portable Preamplifier $450.00 USD
