Sonic Studios

RECORDING ACCESSORIES

 

 

NOTE: DROPDOWN MENU HAS MORE PAGES

 

HRTF Baffles for DSM Omni Mics

LiteGUY HRTF Baffle for stand/boom mounted stereo-surround recording
GUY Heavy Duty HRTF Baffle
Microphone Windscreen
MIC Powering / 'Bass Cut' Filters
PORTABLE DECK PREAMPS
Connector ADAPTERS
Portable Deck External Power
Sony Headphones

DSM-GUY Virtual Reality HRTF Spaced Omni Stereo Mic Baffle

GUY PRECISION HRTF STEREO MIC BAFFLE
The need for an effective substitute to wearing DSM microphones for Field/Studio and Stage HRTF recording.

Unlike all other (dummy or binaural) recording heads, which are very costly and/or of incorrect acoustical design, DSM-GUY is accurate and most affordable.

GUY's 100% solid MOLDED SORBOTHANE makes an EXACT acoustical replica of our own HRTF (acoustic Head Related Transfer Function). This allows the recordist to use the usually headworn DSM microphones in a manner similar to conventional stand mounted microphones, but with the most accurate possible 3-D ambient HRTF reception pattern.

Acoustics Laboratory, EFX, Grand Piano, and Pure Acoustical Music recording of Jazz, Classical. Choral, are just some of the recording applications currently using the DSM-GUY HRTF Baffling System.

For DSM-GUY Description: See DSM-GUY (page)

LiteGUY (OUT OF PRODUCTION AT THIS TIME)

For Spaced Dual Omni HRTF Baffled 3-D Stereo . . . . . Starting at $1500.-

CLICK Photo For More LiteGUY

Low 3-4 Lb. Weight, Low Cost, Exclusive True HRTF Acoustic Design

Built-in Easy DSM MIC Loop Mounting (as shown at left)

LiteGUY HRTF Baffle Mounts on ANY Standard 5/8" Threaded Mic Stands

Top of Baffle 5/8" Mic Threads Allows for Boom Mounting or even a second (Vocal) Mic

Optional Baffle Mount for DSM Mic WHB/N Windscreen . . . ADD +$75.-

Studio Session Recording the "As-Heard" Acoustic Sound of: Drum Kit, Grand Piano, Cello, Floor harp, A Cappella Vocals, and Stage-Front or FOH Live Music Recording

Recording of Theater, Acoustic Music, Instrument Amps, Lecture with Audience 3-D Ambient Nature & EFX

Recordings of Very Long Duration For Sound Recording within "People Hazardous" Field Locations

Easy/Safe Temporary/Permanent Installation as a 'Flown' Ambient Stereo -Surround Microphone in Clubs, Concert Halls, Festival Stages
ADAPTERS & PATCH CORDS

Now Record live highest quality audio on both your portable recorder & camcorder by connecting the two together.

This custom designed patch cable connects to both your deck's ministereo headphones output jack and the external mic input of most camcorder models.

One beneifit of using this patch is replacing low quality camera on-board mics with your choice of higher quality audio signal from an external recorder.

Also, using a recorder's headphone output allows camera recording volume adjustment making it easier to avoid overloading a camera's low level mic input.

The in-line jack allows headphones monitoring, or use this for patching to another recorder's audio input.

$75- USD

(Request quotation for custom cord lengths/connectors)

Handheld MONO XLR INTERVIEW MIC ADAPTER to Mini-Stereo INPUT

NEWS / INTERVIEW safe-for - delicate deck minijacks adapter with MOLDED RIGHT/ANGLE plug MODEL M-XLR-F ... $40.-

Minijacks on decks/laptop computers are delicate and easily damaged by stresses from straight plugs and stiff cords. Most right-angle adapters are typically too large, placing as much or more torgue stress on jacks. Minijack replacement service requires shipping, repair turn-around time, and is costly.

Some low cos electronic devices have no affordable or practical service available.

Most mics, mic connector adapters, and headphones do NOT provide stress-free connection and will easily cause jack damage from bumps and cord tugs.

Properly designed molded right angle plugs with flexible cord is the ONLY solution for keeping minijacks in good working order. The 3.5mm JACK EXTENSION CABLE (shown at right) keeps minijacks from damaging effects of stress/wear.

Well worth the small cost to insure critical input minijacks are safe from premature wearout and stress damage.

3.5mm jack extension cable is good insurance against mini-jack-wearout and stress damage.

Dual XLR-3F to Stereo MiniPlug Adapter

Dual Mono Stereo or Mono Mic

XLR / PHONO / 3.5mm Adapter Cables

All Sonic Studios XLR/Phono/RCA Connector Cables & Adapters Use Silver Alloy Welds, #1 Rated Neutrik Gold/Silver Alloy Connectors.

"The Safe-Secure Connection™" to delicate 3.5 mm input jacks

MODEL
DESCRIPTION
CORD
MOST COMMON USES
USD
D-XLR-F
Dual Mono XLR-3 Female to 3.5mm Stereo Plug
~.6 Meter
Connect Two XLR Mics to Minijack Input
$80
D-XLR-M
Dual Mono XLR-3 Male to 3.5mm Stereo Plug
Connect External Preamps to Minijack Input
D-PHN-F
Dual Mono Phono Female to 3.5mm Stereo Plug
Connect Two Phono Plugs to Minijack Input
$60
D-XLR-M/MSJ
3.5mm Stereo Jack to Dual Mono XLR-3 Male
~18 CM

Phantom Power Protected PA-6xxx Pwr'd DSM to XLR Preamp Input

$90
D-RCA-M
Dual RCA Phono Plug to 3.5mm Stereo Plug
~1.5 M StarQuad
Minijack Line to Analog Stereo Component
$100
M-XLR-F
Mono XLR-3 Female to 3.5mm Stereo Plug
~1.5 Meter

Interview single (handheld) MONO MIC to stereo minijack mic input

$40
3.5 mm Patch
Mini-Stereo Plug-to-Plug Patch Cord
~.6 Meter
Minijack to Minijack patch cable
$35
3.5 mm Extension Cable
Mini-Stereo Plug-to-Jack EXTENSION Cable (varied lengths)
~ 8 inches
Minijack Input Extension Cables
$30
~ 1.5 M
$35
~ 3.5 M
$50

If you do NOT see what you need, CALL for availability of Standard, Custom/Special Adapters

Custom lengths and types available for most applications

Also see the Video Mic page for more adapter ideas

WHB/N DSM Windscreen
DSM Mic Windscreen Headband + molded case . . . $375 USD

Professional and Amateur DSM customers have expressed a need to suppress wind-blast effects while recording outdoors.

 

WHB/N keeps the advantages of stealthy profile and full frequency fidelity of the DSM's without resorting to large wind-blocking mechanisms (like an umbrella) to provide the necessary air-quiet zone surrounding head or HRTF Baffle mounted DSM microphones.

$375.00 USD* *With molded hardcase+DSM Mic Premounted

The WHB accessory provides DSM mic mounting within a stealthy profile fabric windscreen looking identical to 'Walkman-style' lightweight headphones.

The WHB virtually eliminates the wind's low-frequency rumble effects and recorder overloads that often occur in windy conditions or if recording on an open moving platform.

The WHB fabric/wire frame windscreen is effective in preventing air-gust overloads; producing only a very natural quiet rushing sound* in strong gusts that adds the realism of the wind's natural presence in true concert with all other sounds in ambient recordings.

Most film Sound Designers use the DSM microphone mounted inside WHB/N windscreen accessory. For a partial list of DSM mic user's film credits CLICK HERE FOR FILM CREDITS PAGE.

(*NOTE: The WHB allows the natural recording of the "Sound of  Strong Blowing Wind"as was used by Bob Grieve for most sound effects/ambient for: Wyatt Earp (Western / Feature / Warner Bros. Pictures) Supervising Sound Editor Released 06/24/1994)

GENERAL DESCRIPTION

The WHB is a robust headband with removable "lightweight headphone-sized" fabric windscreens for wearing the DSM pickups without eyeglasses (or other) mounting.  The fabric wind screen reduces the low frequency effects of strong gusty winds without the usual sound distortions and noise generation of windscreens in general.

Most windscreens provided by other microphones manufacturers effectively remove the wind's air blast effects and some (or most) of the whistling, high-frequency sounds created when wind traverses an unprotected pickup but, at the expense of increased harmonic distortion, frequency dependent peaks/dips, and attenuation of high-frequencies.

The commonly available open-cell foam type windscreen materials, while having all the discussed problems, are extremely effective at blocking all wind blast effects but, often generate annoying hissing sounds with the wind' presence.

Keeping this in mind, Sonic Studios researched windscreen methods and materials with very little or no detrimental effects to sound reception while still allowing wind-protected quality recordings in high winds.

The WHB fabric/wire frame windscreen is effective in preventing air-gust overloads; producing only a very natural quiet rushing sound in strong gusts that adds the realism of the wind's natural presence in true concert with all other sounds in ambient recordings.

'STREET STYLE' HEADBAND . . . $85.00 USD

Very comfortable and discreet accessory for 'person' mounting DSM stereo mic. Securely stays in position even during extreme movement or athletic activity. SS-HB allows comfortable eyegear, hat or safety helmet wearing. Great for easy recording of natural ambient sounds, interview, music performance, seminars, competition athletic and exercise programs. Record virtual surround sound just about anywhere, except in windy conditions outdoors where use of a wind blocking umbrella is strongly suggested.

COMPACT PORTABLE MIC PREAMPLIFIER MODELS

 

All Sonic Studios preamplifier models have excellent low noise/distortion, very wide frequency bandwidth suitable for digital 24bit/+96K high sample rate recording. All with DSM-6S/1S stereo-surround mic powering feature.

All models have very precision circuit components for exceptional channel match. This allows optimum stereo-surround recorded image with (DSM™) HRTF arrayed mic systems.

Sonic Studios preamps are specified full operating frequency <.1 dB channel matched regardless of gain and LoCut filter settings.

No other stereo or surround microphone images so good to motivate this particular care in the preamplifier design. Accurate wideband precision channel match specification in both microphone and preamplifier channels is uncommon. Not much required in preamps used with (other types of) less accurate imaging arrayed mic systems, however very much appreciated with DSM HRTF arrayed mics for consistently accurate/seamless image/natural sounding 2/4 channel recordings.

(Hear 100's of sample recordings)

PREAMP MODELS
PRICE USD
CHANNEL SPEC
OUTPUT PLUG
INPUT JACK
H x W x L (inch)
BATTERY
DESCRIPTION AND OPTIONS
$550
(1) stereo 20/28/36 dB 1-stage gain, 3 volt supply, <0.25 dB CH. match, 7-to-+55,000Hz -3dB BW, +3 dBu 100 ohm outputs
(1) UNBAL. 3.5 MM Stereo TRS
3.5 MM Stereo
1.1 x 1.9 x 2.7
+500 Hrs.(2) AA photo lithium L91 (type),+200 Hrs. (2)AA alkaline cell
Best choice for all mini-portable decks with common (1) 3.5mm mini-stereo line input jack. OPTION: ($480 USD) with most reliable locking miniXLR-3F mic input jack. OWNERS MANUAL
$600
(1)UNBAL. Stereo miniXLR-3M
miniXLR-3F Stereo
miniXLR-3F/M input/output connectors. Most versatile universal (unbalanced) miniXLR-3M stereo output plug is best choice for having wide choice of output patch cable adapters fitting most any deck LINE input connector requirement. OWNERS MANUAL
$1400
(1) stereo 25/35/45 dB 2-gain stages servo design, 3 volt supply, <0.25 dB channel match, DC-to->150,000Hz -3dB BW, precision current source DSM mic powering, unique DC-coupled 45-off-90 Hz bass filter, +3 (unbal.)-to-+9 (bal.) dBu 100 ohm outputs
(1) UNBAL. 3.5 MM Stereo TRS
3.5 MM Stereo
1.0 x 2.5 x 2.7
+200 Hrs. (2) AA photo lithium L91 (type),+50 Hrs. (2)AA alkaline cell
Best choice for all mini-portable decks with (1) 3.5mm mini-stereo line input jack. OPTION: ($980 USD) with miniXLR-3F mic input jack
$1500
(1)UNBAL. Stereo miniXLR-3M
miniXLR-3F Stereo
miniXLR-3F/M input/output stereo connectors. Most versatile universal (unbalanced) miniXLR-3M stereo output plug is best choice for having wide choice of output patch cable adapters fitting most any deck LINE input connector requirement.
$1600
(2) XLR-3M Balanced output plugs
Best choice for all decks with common (2) standard size XLR-3F balanced type line input jacks. OPTION: ($1280 USD) with most reliable locking miniXLR-3F mic input jack
(2) 1/4" TRS R/A balanced output plugs
Custom molded very low profile 1/4" TRS balanced output plugs best for Microtrack 24/96 flash deck or any recorder with balanced dual TRS phone type line input jacks. Balanced output has +10 meter extension cable driving ability. OPTION: ($1310 USD) with most reliable locking miniXLR-3F mic input jack
(1)BAL. Stereo miniXLR-5M
miniXLR-3F Stereo
Most versatile universal (full driven balanced) miniXLR-5M stereo output plug is best choice for having wide choice of output patch cable adapters fitting most any deck balanced (or unbalanced) LINE input requirement. Balanced output has custom loaded 20-30' extension cable ($125 USD) driving ability.
$3000
As above, but with Class A high power 75 ohm unbalanced S-VHS cable +4 dBu output
Female S-VHS
1.0 x 5.0 x 2.7
+25 Hrs. (2) AA L91 + (4) AA Alkaline
Extreme extension cable length ability with NO audio signal quality losses. Super-VHS jack output-to-extension cable-to-junction-box fits a wide choice of unbalanced LINE input requirements. Included output junction box properly loads 75 ohm S-VHS cable so driving any extension length with 100% noise immunity is practical.
$2400
As 24UX above, but higher 34/44/54 dB gain/10 volt supply, refined lower-distorion AMP stages, +17 dBu outputs
(1)balanced) miniXLR-5M
miniXLR-3F Stereo
1.0 x 2.5 x2.7
BD-16XS (4) alkaline D cell +100 Hrs. 5 Volt regulated Sled
Most versatile universal (full power driven balanced) +16 dBu miniXLR-5M stereo output. Similar 2-stage servo amplifier as PA-24 (series), but with lower distortion (more liniear) higher gain, higher bipolar operating +/- 5 volt supply, and choice of output patch cable adapters fitting most any deck balanced (or unbalanced) LINE input requirement. Requires external BD-16XS ($250) power supply sold separately.
4 CHANNEL PREAMPLIFIERS
 
$8000
As PA-16XS, but 4-channel (dual stereo), higher 40/50/60 dB gain/30 volt supply, most refined lower-distorion AMP stages, 4-channel +24 dBu balanced 100 ohm outputs
Dual balanced miniXLR-5M
Dual miniXLR-3F Stereo
2.0 x 2.5 x 2.7
BD-16XS (4) alkaline D cell +25 Hrs. 5 Volt regulated Sled
Fully compatible for 4-channel DSM-4CS/ mic system working into Sound Devices SD-744T +24 dBu line inputs. Dual miniXLR-5M balanced stereo output. Similar 2-stage servo amplifiers as in PA-16XS, but with even lower distortion (more liniear) higher gain, higher bipolar operating +/- 15 volt supply, and choice of output patch cable adapters fitting SD-744T model, and most any deck balanced (or unbalanced) LINE input requirement. Requires external BD-16XS ($250) power supply sold separately.
$4000
As 24UX above, but 4-channel (dual stereo), higher 30/40/50 dB gain/6 volt supply, 4-Balanced +15 dBu 100 ohm outputs
+100 Hrs. (4) AA photo lithium L91 (type),+25 Hrs. (4)AA alkaline cell
Fully compatible for 4-channel DSM-4CS/ surround mic system working into 4-chanel Edirol/Roland R-4 deck balanced line inputs. Dual miniXLR-5M balanced stereo output. Similar 2-stage servo amplifiers as in PA-24UX, but higher bipolar operating +/- 3 volt supply, and choice of output patch cable adapters fitting R-4's (4) XLR-3F line input jacks, and most any deck balanced (or unbalanced) LINE input jack requirement.
$2200
As PA-3SX-U above, but 4-channel (dual stereo), long +250 hour battery life, 4-UN-Balanced +4 dBu 100 ohm outputs
Single UN-Balanced miniXLR-5M
1.0 x 2.5 x 2.7
+250 Hrs. (2) AA photo lithium L91 (type),+100 Hrs. (2)AA alkaline cell
Fully compatible for 4-channel DSM-4CS/ surround mic system working into 4-chanel Edirol/Roland R-4/R-44 deck line inputs. One miniXLR-5M balanced stereo output. Choice of output patch cable adapters fitting (4) XLR-3F line input jacks, and most any deck balanced (unbalanced) LINE input jack requirement.

MODEL PA-24NJ (standard with 3.5 mm mini-jack mic input)

+$30 USD UPGRADE: Switchcraft mini-XLR-3F mic input for connection to mini-XLR-3M plug upgraded (+$50 USD) DSM mic model

DSM PA-24NJ DC-150KHz SERVO STEREO MIC PREAMPLIFIER
  • Advanced DSM Mic Powering: 3-IC Low Noise Current Source
  • 6-IC 2-Stage AMP Design; Fullest Fidelity at ALL Gain Settings
  • True DC Servo Design; NO Capacitors in the Signal Path
  • < .005% Low Distortion; DC-to-150,000 cycle (-3 dB bandwidth)
  • +3 dBm; <100 Ohm Output, Drives up to 10' extenstion cables
  • 2-AA Cell 200+ Hour Powering (L91 Eveready Photo Lithium)
  • ON/OFF High Pass Filter; 45Hz-OFF-90Hz; DC Coupled
  • Very Small Pager-Like Size; Protected Switches, Gold R/A Plug

PA-24NJ SERIES portable mic preamplifier (6 MODELS) designed specially for DSM-1S/6S mics. Ideal for remote location ambient recording using MD, DAT, CF, HD recorder or ANY analog LINE input for up to 24bit/192kbps digital recording requirement.

 

THE most compact precision wide-bandwidth battery powered mic preamp available today.

Click HERE for Owner's Manual.pdf

MODEL PA-24-U with upgraded mini-XLR stereo input & universal output connector, with ($90) adapter for dual Neutrik ProFi RCA output plugs.

Suggested for Marantz models PMD-670 / 671

FEATURES: 200 hour battery life, convenient Velcro-to-deck securing strap and short 10" output cables, three front panel toggle selections for 25 to maximum 45 dBv gain, high definition +3 dBu output.

 
  • PA-24-X
  • Dual XLR-3 true balanced outputs for up to ~30' balanced extension cable. For DSM + LiteGUY on stand/boom for studio session, or remote folding tripod or handheld fishpole.
  • MS24-X $95 USD patch(at right) converts preamp output to dual unbalanced 3.5mm mini-stereo plug/jack outs.
 
PA-24UX + RIGHT ANGLE XLR Plugs Adapter

For Fostex FR2 deck for lowest profile, compact size 'stealth' portable requirements. Preamplifier (short 12 inch out cables) is suggested secured to equipment bag or deck carry strap, or deck's surface with adhesive velcro strip.

NOTE: Now with (not shown) slimmer profile Neutrik R/A plugs.

UNIVERSAL OUTPUT

ANY PA-24 (series) preamp model with OPTIONAL (+$30 unbalanced/$75 balanced miniXLR-3/5M universal output plug for using with additional output adapter(s) to fit any type recorder input.

Available output plug adapters include (miniXLR-3/5F jack to)

  • 3.5 mm stereo R/A plug (MD/DAT/R-09, more)
  • Dual R/A 3.5 mm TS plug for MR-1 line input
  • Dual XLR-3M standard (unbalanced/balanced) plugs
  • Dual R/A 1/4" TS/TRS (unbalanced/balanced) phone plug
 

Model PA-24-V (Click HERE for owners manual page)

For professional long distance remote mic recording

Remote DSM + LiteGUY surround-sound mic + Preamplifier positions at virtually unlimited long cable connection distances from the recorder.

FEATURES:

Dual output for short /long distance 75 ohm terminated video cable for NO audio quality loss or electrical interference.

Two separate LINE level outputs, a low power Mini-Stereo jack, and a long 22' S-VHS high-power cable. The S-VHS cable is extendable to over a 1000' distance with NO loss of audio quality!
The low power mini-jack output drives short (<6 foot length) patch cables, and allows over 200 hours preamplifier running time on (2) L91 AA photo lithium cells.
With the S-VHS video cable turned ON, preamplifier power is increased, using up all six AA battery cells (2 AA lithium + 4 AA Alkaline) in about 25 hours.

The PA-24-V preamplifier's dual mode outputs are connected in versatile ways for close and very distant recording deck inputs.

The following illustrates some standard configurations:

1. PA-24-V preamplifier connections: (a) MIC input jack, (b) low level line output jack, (c) 22' cable with S-VHS-F inline jack output

2. S-VHS-M to 3.5mm stereo output plug (75 ohm terminated) patch cable. OPTIONS: 3.5mm (shown), L/R RCA phono, dual XLR-3M.

3. L/R RCA phono-to-3.5mm stereo patch. OPTIONS: 3.5mm-to-3.5mm stereo plug patch (shown), also ANY combinations of dual XLR, RCA phono & 1/4" and custom specials.

4. S-VID-A is an optional module for versatile preamplifier output cable, extension, and recorder patch connections.

The S-VID-A $550.00 USD module is 75 ohm terminating, and directly connects to the preamplifier's 22' high power output cable at (d), or any length of standard commercial S-VHS patch cable at (e). Two types of output jacks, 3.5mm at (f) and RCA phono at (g) for dual recording. A 0/6dB ATTEN switch (h) ONLY works the RCA jacks.

PA-3SX Portable Preamplifier

  • FEATURES:
  • Low cost
  • Hi-build quality
  • Smallest pager size
  • Low noise, 20/28/36 dB gain
  • 500+ hours on (2)L91 AA cells
  • 7-to-55,000+ Hz frequency bandwidth
  • Low battery + near clip LED indicator
  • PA-3SX for 3.5 mm line input recorders
  • PA-3SX-U model w/universal output plug

CLICK HERE for OWNERS MANUAL

 

At right ($480 usd) PA-3SX with locking professional quality miniXLR-3F input jack shown Velcro-attached to Edirol/Roland R-09 deck backside.

UNIVERSAL OUTPUT

PA-3SX-U preamp model with both input/output miniXLR-3F/M jack/universal output plug for using with optional adapter(s) to fit any type recorder input.

Available output plug adapters include (miniXLR-3F jack to)

  • 3.5 mm stereo R/A plug (MD/DAT/R-09, more)
  • Dual R/A 3.5 mm TS plug for MR-1 line input
  • Dual XLR-3M (unbalanced) standard size plugs
  • Dual R/A 1/4" TS (unbalanced) phone plugs

CLICK HERE For USA & International

Payment/Shipping Options

Prepaid or FedEx COD for USA only

TEL 541-459-8839

Phone or E-Mail

Sonic Studios™
1311 Sunny Court
Sutherlin, OR 97479 USA

Contact us with questions and when ready to Order

Monitor Headphones
 
Mini-Reviews

MDR-SA3000/5000

BINAURAL/STEREO-SURROUND COMPATIBLE HEADPHONES

ALL DAY COMFORT, 8 Hz - to - 110,000 Hz extreme bandwidth, audiophile surround -like-imaging, true mastering quality natural sound , and compatibility to work with portable equipment make these two Sony models a perfect choice* for pleasure and most critical applications.

*ONLY if small fold-up size, ambient noise isolation is NOT needed

© 2007-2014 All rights reserved (This page updated 2/8/2014) Click to find us on YouTube!!!

What's on Sonic Studios Web Site? (Click underlined text, and navigation photos)
DSM™
Patented Stereo-Surround Microphone Technology
Passive DSM™ Mic Powering/Bass Filters
 
 
 
 
Eyegear/Headband/HRTF Baffle mountable matched omni mics
Stops wind blast noise; transparent acoustic design; records real wind sounds
for MD, DAT, CF, HD, and Video Field/Event/Studio Recording
HRTF RECORDING
Stereo-Surround Omni Mic Baffle for Stand, Fishpole, Studio Boom, and Ceiling
RECORDING ACCESSORIES

Portable Deck Power Solutions

Patch/Adapter Cables

Field/Studio Monitoring Headphones, Reviews

 

High-definition, low noise, very wide bandwidth preamp designs to fit any field/event/studio application using DSM™ stereo-surround mics.

MONO ONLY 'Lombardo' Lapel Mic for interview, Narration, Lecture, and clip-on acoustic instrument Recording

DSM™ Magazine Reviews
   
 
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